TASIKMALAYA, Thecuy.com–On Monday, November 2, 2026, Jalan HZ Mustofa in Tasikmalaya city unexpectedly turned into a theatrical showcase for artists and cultural figures. Their performance attracted onlookers and passing motorists on the downtown traffic route.
Radar observed that an aspiration banner reading “Masyarakat Buleud Melawan” was displayed on site. This indicates the demonstration serves as a form of protest, targeting the government.
Various performances were presented, ranging from theatrical drama and painting accompanied by music to local mothers cooking in the middle of the street. At times, drivers were delayed by the artists’ theatrical actions, requiring police officers to be ready to manage traffic.
Read also: The controversy surrounding housing aid for Nana Kustaman, an elderly’s hut in Tasikmalaya – Even the Devil Needs a Hangout Spot!
The founder of the Cermin Community, Ashmansyah Timutiah, explained that the action was a protest and resistance by artists and cultural figures against the government, linked to plans to demolish the former government area that had served as a space for artistic creation. “This will eliminate creative space,” the man known as Acong told Radar.
Since the asset is managed by the Tasikmalaya Regency government, they had requested a meeting with the regent, but no response was forthcoming, leading to the theatrical demonstration. “At the very least, the government could provide another space for creativity,” he said.
According to the emerging discussion, the demolition of the former government complex is scheduled for Tuesday, November 3, 2026. In response, he and his colleagues will strive to preserve creative space for artists and cultural figures. “We will do our best to hold on,” he stated.
During the theatrical action, cultural figure Amang Bolon delivered a monologue as a message to the city and regency governments, which were deemed oppressive for displacing the spirit of cultural figures who contributed to building artistic values and local wisdom in the community.
“They only side with wealthy individuals who own cars and are provided parking facilities, while our cultural friends, artists, poor children, and those without funds to create are oppressed,” he said.(Rangga Jatnika)
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