Anime Corner had the privilege of meeting NakamuraEmi, a celebrated artist marking a significant milestone: her 10th anniversary since her major debut on January 20. Over the years, I’ve followed her journey with admiration. Her music, which blends delicate melodies with raw energy, spans genres like enka, kayokyoku, J-pop, jazz, funk, and hip-hop. This diversity reflects her ability to craft immersive soundscapes that transform ordinary spaces into her personal world. Throughout this conversation, I’ve highlighted some of her tracks to showcase the depth of her artistry.
What does NakamuraEmi see in the world? This interview merges her personal perspective with her music, offering insights into both her creative process and her vision. I hope readers can connect with her authenticity and the emotions she conveys through her work.
Anime Corner began by thanking NakamuraEmi for her time and congratulating her on the 10th anniversary. She shared that her celebration involved a private gathering with her long-term producer, manager, and others who supported her career. A live stream from her favorite bar also allowed fans to join in the joy, making it a memorable day.
The interviewer mentioned being inspired by her song “Ame no you ni naiteyare,” which immediately resonates with listeners. NakamuraEmi explained her songwriting approach, emphasizing lyrics as the foundation. She collects words that resonate with her and builds songs around them, often collaborating with her producer and guitarist. Sometimes, the music comes first, shaping the lyrical direction.
When asked if she loves dancing, NakamuraEmi confirmed, noting she took dance lessons. Her childhood, though not actively musical, was filled with music through her father’s guitar playing and her mother’s piano. Her brother’s musical interests further immersed her in the art. The enka and kayokyoku her parents sang influenced her melodic style, while later exposure to reggae, jazz, and hip-hop expanded her understanding of musical freedom.
The interviewer highlighted the intimate, communal feel of her music, with layered sounds and live-like production. NakamuraEmi shared a pivotal experience: witnessing a reggae performance at a local curry shop. The spontaneous atmosphere, including the crowd’s energy and even a dropped spoon, became part of her music. This taught her to capture the essence of moments in her work, aiming to create songs that feel like conversations.
When discussing her recommendation for “Nage Kiss,” NakamuraEmi linked it to the pandemic. She wrote the song to express hope for a world where people could again share joy without masks. The track incorporates sounds symbolizing a virus, building to a passionate crescendo. She also praised the music video for its visual storytelling.
Reflecting on her growth since debut, NakamuraEmi acknowledged her initial doubts about pursuing music full-time. With support, she embraced the industry and maintained her creative mindset. The pandemic pushed her to collaborate with more artists, leading to new live experiences and self-discovery. This flexibility, she believes, fuels her music’s evolution.
Regarding her inability to pose for photos at debut, NakamuraEmi laughed but noted she still struggles. However, working with professionals in art and photography helped her understand how a song can be presented in multiple ways. This exposure broadened her creative perspective, influencing both her music and performances.
The interviewer praised NakamuraEmi’s portrayal of women in Japan through her “NIPPONNO ONNAWO UTAU” series. She reflected on her past insecurities, shaped by a Japanese tendency to conform. Her experiences in female environments and interactions with men helped her develop a unique “female way of thinking.” She credits her privilege for being able to reflect on these issues, hoping for a future where children can think deeply about themselves.
When asked about her album Momi, NakamuraEmi explained it was a response to the pandemic. She changed her approach, working with new collaborators and focusing on the era’s challenges. The album blended programmed sounds with live elements, differing from her earlier work. Collaborations with international artists added fresh sonic dimensions.
For KICKS, NakamuraEmi emphasized her renewed focus on collaboration. After a three-year gap, she worked closely with her producer from the songwriting stage. The album’s genre diversity and guest artists reflected her openness to new influences. She now believes in working with talented musicians whenever possible, seeing it as a step forward.
The 10th-anniversary concert with UVERworld was a significant event. NakamuraEmi described it as a “Seoi-nage” (shoulder throw), symbolizing a clash between UVERworld’s strength and her own energy. This genre fusion, she hopes, will offer a unique experience for fans.
Overseas fans familiar with UVERworld’s anime themes asked about her favorite titles. NakamuraEmi enjoys shojo manga like Rose Rosy Roseful Bud and Sketchy, but Dragon Ball remains her favorite. She hopes to continue creating anime-related music, connecting with global audiences through these works.
In her song “UBU,” NakamuraEmi reflects on the power of words. Despite the noise of social media, she values heartfelt emotions. The song encourages listeners to cherish their own feelings and embrace personal growth.
Looking ahead, NakamuraEmi values live performances as her primary way to share music. Maintaining her health and creativity over the next decade is her goal, especially after personal losses. She aims to keep each day meaningful, striving for a future where she can share her journey with others.
The interview concluded with the interviewer’s appreciation for NakamuraEmi’s openness and the success of the collaboration. She recommended listening to “Sukeboman” and “Chiku-,” while acknowledging other notable tracks. NakamuraEmi’s journey, marked by resilience and adaptability, continues to inspire.
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